690: Anticipating an Ianless Christmas
[info]exceptindreams
"Anticipating an Ianless Christmas"
Virginia Tamez

I sit in a room that is dark
(but not dark enough)
and is almost empty
(but then there's me)
and listen to noise from another room
(where people are happy)
and think about you.

I take off my glasses
(so my tears won't smear the lenses)
and hope someone goes looking for me
(but doesn't find me)
and realize that my hands are cold
(my mind was elsewhere)
and think about you.

I picture you sitting beside me
(would this box hold our weight?)
and chew a vanilla-flavored tootsie roll
(I can feel cavities forming)
and wonder if these scissors will cut skin
(hypothetically, of course)
and think about you.

I leave the room by myself
(your ghost is too shy to follow)
and tell everyone I'm okay
(well, the one person who asks)
and I give the best smile I can muster
(still trying not to think about you)
and think about you.

689: Ozymandias
[info]exceptindreams
"Ozymandias"
Percy Bysshe Shelley

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip, and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.




I have had very little background in poetry and merely post what I find interesting. This means that I rarely pay attention to symbolism or rhyme scheme and have no interest in poetry I do not immediately understand. I see the value of struggling to understand something, but I do not care to do that. This being said, I'm unaware of this, but apparently I've been posting a lot of poetry lately with the same tone/mood/irony. Does this selection break that tone/mood/irony?

As always, if you have a suggestion for me to post, please email me at exceptindreamsATgmailDOTcom. Thank you.

688: The Aliens
[info]exceptindreams
"The Aliens"
Charles Bukowski

you may not believe it
but there are people
who go through life with
very little
friction or
distress.
they dress well, eat
well, sleep well.
they are contented with
their family
life.
they have moments of
grief
but all in all
they are undisturbed
and often feel
very good.
and when they die
it is an easy
death, usually in their
sleep.

you may not believe
it
but such people do
exist.

but i am not one of
them.
oh no, I am not one of them,
I am not even near
to being
one of
them.
but they
are there

and I am
here

687: The Spirit Says, You Are Nothing
[info]exceptindreams
"The Spirit Says, You Are Nothing"
Larry Levis

But you were young, and you had
Plenty of time:
Going west,

You slept on the train and did not smile.
Under you the plains widened, turned silver.

You slept with your mouth open.

You were nothing,
You were snow falling through the ribs
Of the dead.

You were all I had

686: Their Sex Life
[info]exceptindreams
"Their Sex Life"
A.R. Ammons

One failure on
top of another.

685: No es que muera de amor ("It's not of love that I die")
[info]exceptindreams
"No es que muera de amor"
Jaime Sabines

No es que muera de amor, muero de ti.
Muero de ti, amor, de amor de ti,
de urgencia mía de mi piel de ti,
de mi alma de ti y de mi boca
y del insoportable que yo soy sin ti.

Muero de ti y de mí, muero de ambos,
de nosotros, de ese,
desgarrado, partido,
me muero, te muero, lo morimos.

Morimos en mi cuarto en que estoy solo,
en mi cama en que faltas,
en la calle donde mi brazo va vacío,
en el cine y los parques, los tranvías,
los lugares donde mi hombro acostumbra tu cabeza
y mi mano tu mano
y todo yo te sé como yo mismo.

Morimos en el sitio que le he prestado al aire
para que estés fuera de mí,
y en el lugar en que el aire se acaba
cuando te echo mi piel encima
y nos conocemos en nosotros, separados del mundo,
dichosa, penetrada, y cierto, interminable.

Morimos, lo sabemos, lo ignoran, nos morimos
entre los dos, ahora, separados,
del uno al otro, diariamente,
cayéndonos en múltiples estatuas,
en gestos que no vemos,
en nuestras manos que nos necesitan.

Nos morimos, amor, muero en tu vientre
que no muerdo ni beso,
en tus muslos dulcísimos y vivos,
en tu carne sin fin, muero de máscaras,
de triángulos obscuros e incesantes.
Muero de mi cuerpo y de tu cuerpo,
de nuestra muerte, amor, muero, morimos.
En el pozo de amor a todas horas,
Inconsolable, a gritos,
dentro de mí, quiero decir, te llamo,
te llaman los que nacen, los que vienen
de atrás, de ti, los que a ti llegan.
Nos morimos, amor, y nada hacemos
sino morirnos más, hora tras hora,
y escribirnos y hablarnos y morirnos.

Translated into English by Constantino Diaz-Duran )

684: Poema 12 ("For my heart your chest is enough")
[info]exceptindreams
"Poema 12"
Pablo Neruda

Para mi corazón basta tu pecho,
para tu libertad bastan mis alas.
Desde mi boca llegará hasta el cielo
lo que estaba dormido sobre tu alma.

Es en ti la ilusión de cada día.
Llegas como el rocío a las corolas.
Socavas el horizonte con tu ausencia.
Eternamente en fuga como la ola.

He dicho que cantabas en el viento
como los pinos y como los mástiles.
Como ellos eres alta y taciturna.
Y entristeces de pronto como un viaje.

Acogedora como un viejo camino.
Te pueblan ecos y voces nostálgicas.
Yo desperté y a veces emigran y huyen
pájaros que dormían en tu alma.

Translated into English )

683: Samurai Song
[info]exceptindreams
"Samurai Song"
Robert Pinsky

When I had no roof I made
Audacity my roof. When I had
No supper my eyes dined.

When I had no eyes I listened.
When I had no ears I thought.
When I had no thought I waited.

When I had no father I made
Care my father. When I had
No mother I embraced order.

When I had no friend I made
Quiet my friend. When I had no
Enemy I opposed my body.

When I had no temple I made
My voice my temple. I have
No priest, my tongue is my choir.

When I have no means fortune
Is my means. When I have
Nothing, death will be my fortune.

Need is my tactic, detachment
Is my strategy. When I had
No lover I courted my sleep.




It's raining.

682: It's Raining In Love
[info]exceptindreams
"It's Raining In Love"
Richard Brautigan

I don't know what it is,
but I distrust myself
when I start to like a girl
a lot.

It makes me nervous.
I don't say the right things
or perhaps I start
to examine,
evaluate,
compute
what I am saying.

If I say, "Do you think it's going to rain?"
and she says, "I don't know,"
I start thinking : Does she really like me?

In other words
I get a little creepy.

A friend of mine once said,
"It's twenty times better to be friends
with someone
than it is to be in love with them."

I think he's right and besides,
it's raining somewhere, programming flowers
and keeping snails happy.
That's all taken care of.

BUT

if a girl likes me a lot
and starts getting real nervous
and suddenly begins asking me funny questions
and looks sad if I give the wrong answers
and she says things like,
"Do you think it's going to rain?"
and I say, "It beats me,"
and she says, "Oh,"
and looks a little sad
at the clear blue California sky,
I think : Thank God, it's you, baby, this time
instead of me.

681: The Planned Child
[info]exceptindreams
"The Planned Child"
Sharon Olds

I hated the fact that they had planned me, she had taken
a cardboard out of his shirt from the laundry
as if sliding the backbone up out of his body,
and made a chart of the month and put
her temperature on it, rising and falling,
to know the day to make me - I would have
liked to have been conceived in heat,
in haste, by mistake, in love, in sex,
not on cardboard, the little x on the
rising line that did not fall again.

But when a friend was pouring wine
and said that I seem to have been a child who had been wanted,
I took the wine against my lips
as if my mouth were moving along
that valved wall in my mother's body, she was
bearing down, and then breathing from the mask, and then
bearing down, pressing me out into
the world that was not enough for her without me in it,
not the moon, the sun, Orion
cartwheeling across the dark, not
the earth, the sea - none of it
was enough, for her, without me.



Happy Thanksgiving. What are you thankful for this year?

680: Dangerous for Girls
[info]exceptindreams

"Dangerous for Girls"
Connie Voisine

It was the summer of Chandra Levy, disappearing
from Washington D.C., her lover a Congressman, evasive
and blow-dried from Modesto, the TV wondering

in every room in America to an image of her tight jeans and piles
of curls frozen in a studio pose. It was the summer the only
woman known as a serial killer, a ten-dollar whore trolling

the plains of central Florida, said she knew she would
kill again, murder filled her dreams
and if she walked in the world, it would crack

her open with its awful wings. It was the summer that in Texas, another
young woman killed her five children, left with too many
little boys, always pregnant. One Thanksgiving, she tried

to slash her own throat. That summer the Congressman
lied again about the nature of his relations, or,
as he said, he couldn’t remember if they had sex that last

night he saw her, but there were many anonymous girls that summer,
there always are, who lower their necks to the stone
and pray, not to God but to the Virgin, herself once

a young girl, chosen in her room by an archangel.
Instead of praying, that summer I watched television, reruns of
a UFO series featuring a melancholic woman detective

who had gotten cancer and was made sterile by aliens. I watched
infomercials: exercise machines, pasta makers,
and a product called Nails Again With Henna,

ladies, make your nails steely strong, naturally,
and then the photograph of Chandra Levy
would appear again, below a bright red number,

such as 81, to indicate the days she was missing.
Her mother said, please understand how we’re feeling
when told that the police don’t believe she will be found alive,

though they searched the parks and forests
of the Capitol for the remains and I remembered
being caught in Tennessee, my tent filled with wind

lifting around me, tornado honey, said the operator when I called
in fear. The highway barren, I drove to a truck stop where
maybe a hundred trucks hummed in pale, even rows

like eggs in a carton. Truckers paced in the dining room,
fatigue in their beards, in their bottomless
cups of coffee. The store sold handcuffs, dirty

magazines, t-shirts that read, Ass, gas or grass.
Nobody rides for free
, and a bulletin board bore a
public notice: Jane Doe, found in a refrigerator box

outside Johnson, TN, her slight measurements and weight.
The photographs were of her face, not peaceful in death,
and of her tattoos Born to Run, and J.T. caught in

scrollworks of roses. One winter in Harvard Square, I wandered
drunk, my arms full of still warm, stolen laundry, and
a man said come to my studio and of course I went-

for some girls, our bodies are not immortal so much as
expendable, we have punished them or wearied
from dragging them around for so long and so we go

wearing the brilliant plumage of the possibly freed
by death. Quick on the icy sidewalks, I felt thin and
fleet, and the night made me feel unique in the eyes

of the stranger. He told me he made sculptures
of figure skaters, not of the women’s bodies,
but of the air that whipped around them,

a study of negative space,
which he said was the where-we-were-not
that made us. Dizzy from beer,

I thought why not step into
that space?
He locked the door behind me.


679: Histories
[info]exceptindreams
"Histories"
Billy Merrell

I look at pictures of an invasion, black and white
and blazing, despite how the blacks have gone gray.
I rip out photographs from an old issue
of National Geographic—or rather pieces of each:
Love carved into a park bench, a woman's glove,
a swan, blurs of flags in the wind. The rivers
descending through the farm-green fields curve
like fractures of a jigsaw puzzle, bend back
toward themselves. The little poet I am
must be so angry. I don't know what I'm writing,
but I write and write in journals without lines,
so that I can spin the pages any way I want.
One poem goes up the spine while another dribbles down
in lines intended to be tears. I love the impressionists,
make galleries among poems for Renoir, mostly
because I love his name.

I look at the photographs' paused geography,
imagine how diligently the rivers must have worked
to curve back. We all want, in some way, to reach back,
to ourselves or where we descended, and whisper.
At one point, the caption explains, the Volturno River
nearly meets itself for a moment of reflection.

In my journal, I invent the rest: how hard earth is
for the waters to never mix, how at times
the tidewater rises, and the river swells as if to take over
that narrow margin. You can't help, I write,
but hear the concatenation of a river or a history.
Where did I find that word? I wonder
if I even knew what it meant. But who wouldn't love
the thought of standing in one place and drinking
from two generations of water? Reading it later,
I'll know why I was upset and will want to cry again
where I did, in the margin, for the boy I was
when I was fifteen and didn't know it was okay
to write or desire without metaphor. I dreamt I was nothing
but a kite's anchor, collages of men's faces,
makeshift buildings of paper. Years later
I'll wonder how I didn't know I was lonely
when everyone around me did.

678: The Widow's Lament in Springtime
[info]exceptindreams
"The Widow's Lament in Springtime"
William Carlos Williams

Sorrow is my own yard
where the new grass
flames as it has flamed
often before but not
with the cold fire
that closes round me this year.
Thirtyfive years
I lived with my husband.
The plumtree is white today
with masses of flowers.
Masses of flowers
load the cherry branches
and color some bushes
yellow and some red
but the grief in my heart
is stronger than they
for though they were my joy
formerly, today I notice them
and turn away forgetting.
Today my son told me
that in the meadows,
at the edge of the heavy woods
in the distance, he saw
trees of white flowers.
I feel that I would like
to go there
and fall into those flowers
and sink into the marsh near them.

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